Most people enjoy listening to music. There is a mystical quality about a well-written piece of music that can transform your mind and mood, either emotionally or intellectually.
Once I picked up a guitar in order to emulate my rock and roll heroes back when I was a teenager, the desire to make my own music quickly developed. What began as elementary riffs on a six-string acoustic eventually grew to full-on orchestral symphonies sequenced in professional audio software.
Please feel free to listen to, download, and share the music found here. The best way to experience them is by album, but there is also a song list and tag cloud. Also, I'm available for background music at functions requiring solo acoustic guitar, as well. Check out some demonstration pieces I've done.
Majicking (2009)
Aggressive electronica with strong rock elements. Basically, a crushing tsunami of drums, bass, and synths.
Average Town (2009)
Good ol' square, triangle, and saw waves mixed together with shaped white noise in a lo-fi, NES-style package. These are simple tunes with simple rhythms and melodies, and I like it that way.
Scraps (2008)
A collection of unfinished ideas, riffs, and throwaway progressions, embellished somewhat from their original form, and put through Logic's software synths. Also, no idea is longer than 2 minutes, so as to not let any idea go on for too long.
Ebben Flow (2008)
Ebben Flow. Since the age of 4, I've been playing video games. Since the age of 16, I've been making music. The crossover potential finally made enough sense to make a video game soundtrack. Fifteen tracks of adventure, fantasy, and aqueous delinquency await you.
M.U.S.I.K. 2006 (2006)
M.U.S.I.K., or Music Unsolicitedly Started Idiosyncratically for Karma, is a masochistic musical masterwork comprised of a newly thought-up and recorded musical idea each day for a month. From mainstream to experimental, this project always runs the gamut.
M.U.S.I.K. 2003 (2003)
M.U.S.I.K., or Music Unsolicitedly Started Idiosyncratically for Karma, is a masochistic musical masterwork comprised of a newly thought-up and recorded musical idea each day for a month. From mainstream to experimental, this project always runs the gamut.
Clocks Striking 13 (2002)
My first real, accomplished collection of music. All tracks are instrumentals, primarily in a three-piece rock band style with a fair amount of indulgent six-string wankery. Songs were written over many years, but recording took exactly 30 days.
